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Comments

  • Anonymous
    Anonymous
    I'd say: this is an "Eggleston-like" masterpiece ..... simple but also mysterious!
  • ha, ha.. synchronization at levels of each other; I'd mentioned already M: recognition.. we've got something in common
  • I found some inspiration by looking at someone's photographs, ): learnt a lot. Knowing that I have met in myself before, but not yet recognized enough..
  • Anonymous
    Anonymous
    Hey, Rob! Why you do set the focus to the foreground, within - I would estimate - about 2-3 meters? I have seen that in some of your landscapes before ..... is that done on purpose? Shouldn't we be able to read the sign on the blue toilet clearly? If you set the "hyperfocal distance" to about 10 meters at aperture 5,6 it will result in optimal image quality .....
  • thanks for your attention.. No I put the Af point just in front, at the feet of those blue boxes. Strange.. I have to beware of this. Thought it was a perfect picture.. light was so good.
  • Eidjan, you know what ? I feel that the focus point is just doing well, the sharpness on the tracks thus prevents it from being more logical to leave the two objects in the field as the main focus points. Now the attention keeps going back and forth, which I find more interesting for the whole

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